Dec 25, 2011
13 notes
Facts:
1. Comics are awesome. I know so little about the medium, but what little I’ve experienced has left me hungry for more, be it Warren Ellis probing what it means to be superhuman, or Grant Morrison talking about how superheroes embody eternal human qualities. Most recently, I’m enjoying DC’s massive reboot - I only wish I could afford to spend more time looking into this very special form of storytelling.
2. Simone Bianchi is an incredible artist. Everything about this illustration of the Black Panther is downright yummy.

Facts:

1. Comics are awesome. I know so little about the medium, but what little I’ve experienced has left me hungry for more, be it Warren Ellis probing what it means to be superhuman, or Grant Morrison talking about how superheroes embody eternal human qualities. Most recently, I’m enjoying DC’s massive reboot - I only wish I could afford to spend more time looking into this very special form of storytelling.

2. Simone Bianchi is an incredible artist. Everything about this illustration of the Black Panther is downright yummy.

Jul 24, 2011
6 notes

Grant Morrison on Superheroes

Over on Wired, there’s a wonderful interview with Grant Morrison that revolves around Supergods, his memoir/cultural and critical history of superheroes. I’ve read the interview multiple times, and there’s no doubt that I’ll be revisiting it many more times before the end of the summer.

This is Morrison on the evolution (or lack thereof) of the comic book medium.

“It’s always a mistake whenever new technology comes along, and an old form tries to translate. It’s like film a century ago, where directors were simply re-creating the look of a play in a theater, rather than moving the camera around. So far, online comics have done the same.”

“We’re trying too hard to re-create comics on the digital screen, and I think that’s a mistake. I think there is a lot more we could be doing. Digital comics should become a much more fractal experience, where you can use hypertext to get character histories at the press of a button, or be able to play sections of the story in game form or whatever — something. And I’m sure someone is already working on how to do that right now. Certainly, I’m thinking along those lines, but there is a lot of interesting work to be done to create comics for that medium.”

And this is Morrison on how superheroes, like gods, embody eternal human qualities.

Superman possesses the qualities of the very best man we can imagine at any given time. In that sense, he’s divine. Batman is representative of our dark subconscious, who nevertheless works for the good of humanity. They embody the same ideals.”

“You know, Flash, like Hermes before him, is a messenger god of communication and electricity, although he’s more modern so you’d probably have to add coffee and Red Bull. [Laughs] What superheroes have done is give these ancient qualities a new dress so we can recognize ourselves again.”

Again: What superheroes have done is give these ancient qualities a new dress so we can recognize ourselves again. Isn’t this beautiful?

Dec 27, 2010
Notes

Warren Ellis’ SUPERGOD

(Above: Malak, the Iranian experiment.)

It took 3 months for my five-set collection of Warren Ellis’ SUPERGOD to make it to my mailbox, and it was worth every second of of the 90 minutes it took to read all of them.

How best to describe this series? The official description from Avatar Press comes close: “South-east Asia is on fire, an artificial angel whose brain is a faulty radio to God has been loosed on the world, something unimaginable is rising in China, attempts to reactivate America’s superhuman in his underground fake childhood town are not going well … This is what a superhuman arms race would look like. This is what asking to be saved by men who can fly would look like. Take every superhero comic ever published, shove them into a nuclear-powered blender, soak it in bad vodka and set the whole thing alight. SUPERGOD will crawl out and eat your brain.”

Basically.

(Above: Krishna, the Indian experiment.)

One of the defining moments of the series occurs when the narrator, under the influence of sherry and drugs, unwisely confronts the British experiment and demands “What are you for?” The monologue is a bit heavy-handed, but it perfectly exemplifies the attitude that most of the gods have towards their makers. It replies:

I am for that thing in your genome that demands it. I am for that thing which keeps you animals alive. I am, at most, a slice of monkey suspended within the stuff of universal intelligence. You are a monkey in nice clothes.

In the harsh environment you refer to as a habitable planet, group behaviors are required to survive long enough to procreate. Since you are stupid monkeys, you have no natural affinity for group altruism. And so you have evolved a genetic pump that delivers pleasant chemicals to your monkey brains. One that is triggered by awe and fear of an anthropomorphism of your environment. Earth mothers. Sky gods. Bits of bush that catch fire. Interesting-looking rocks. An oddly-shaped branch. You’re not fussy.

When your brain does this idiot work, you stop in front of that bump or stick and consider it fiercely. Other monkeys will, like as not, stop next to you and emulate you. Your genetic pump delivers morphine for your souls. You have your fellow monkeys join in. Perhaps so they can feel it too. Perhaps because you feel it might please the stick god to have more monkeys gazing at it in narcotic awe.

The group must be defended. Because as many people as possible must please the stick god. And you can continue to get your fix off praying to it. You draw up rules to organise and protect the group. Two hundred thousand years later, you put Adolf Hiltler into power. Because you are, after all, just monkeys.

I am a thing born of lies. You lied about needing to explore space. You lied about needing an edge in your arms race. Ultimately, I believe you lied about your need for a messiah figure to consider.

I am your stash.

You can get the 5-bag set here.

Jul 21, 2009
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Curious about cities, patterns, design, and marginalia. I use the word 'narrative' a lot. Emmanuel is Ghanaian, and a long way from home. Nice to meet you. (@equartey, Pinterest, email, ask)

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